Prelude and Fugue No. 1 in C Major, BWV 846
from The Well-Tempered Clavier, Book I (1722)
Piano Sonata No. 11 in A Major, K. 331, Movements I–III (1783)
Piano Sonata No. 10 in G Major, Op. 79, Movements I–III (1809)
Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27, No. 2, “Moonlight Sonata” (1801)
Franz Schubert (1797–1828)
Impromptu in G-flat Major, Op. 90 No. 3, D. 899 (1827)
Felix Mendelssohn (1809–1847)
Étude in F Minor, Op. 104b (1845)
Frédéric Chopin (1810–1849)
Étude No. 3 in E Major, Op. 10, “Tristesse” (1832)
Waltz in D-flat Major, Op. 64 No. 2 (1847)
Nocturne in E-flat Major, Op. 9 No. 2, often referred to as “Liebestraum” (1832)
Nocturne in B-flat Minor, Op. 9 No. 1 (1830–1832)
Claude Debussy (1862–1918)
Passepied from Suite bergamasque (1890–1905)
Étude, No. 11, Étude pour les arpèges composés (1915)
Arabesque No. 1 in E Major (1888-1891)
Henri Dutilleux (1916–2013)
Au gré des ondes: Six petites pièces pour piano (1962)
Philip Glass (1937–Present)
Mad Rush (1979)
During her studies as a music major at LASALLE College of the Arts, Chantel discovered that each classical music carries a doorway to an inner world.
Through study and performance, her approach grew more present, focusing not just on the notes themselves, but on the space and meaning between them. Her artistry connects sound and silence, self and universe, reminding us that beauty exists in the present moment and is constantly evolving.